Marzia Migliora's works provide a critical representation of the consequences that an economy based on fossil fuels is having on the planet, showing how humanity's drive for progress has a direct impact on today's compromised ecosystems. The environmental sound installation Partitura multispecie andante — created in collaboration with the historic Roman studio of sound effects for cinema Marinelli Effetti Sonori — consists of a soundtrack of the various sections that make up the paleontological and litho-mineralogical collections of ISPRA-Istituto Superiore per la Protezione e la Ricerca Ambientale (Higher Institute for Environmental Protection and Research).

Act ① of Partitura multispecie andante (Andante Multispecies Score) was performed on December 14, 2022, at the MUCIV–Museo delle Civiltà, with sound effects by Marinelli Effetti Sonori Srl. The performance was made possible thanks to funding from Sector VI of the Ministry of Culture.

Sound SFX: Marinelli Effetti Sonori Srl

Foley Artists: Massimo Marinelli, Giulia Marinelli, Enzo Di Liberto, Daniele Di Pentima

Sound Editor: Enrico Mereu

Recording & Mix Engineer: Fabio Fortunati

Technical Director: Edoardo Pietrogrande
Curated by: Matteo Lucchetti
Cutting at: Vinylab Studio
Typeset: ABC Walter Neue 

Bergamo Film Meeting, a key fixture on the Italian festival circuit for over 44 years, continues to draw audiences to Bergamo each March with a rich programme of screenings, talks and critical exchange; the 2026 edition, spanning the worlds of Abbas Kiarostami and Louis de Funès, reaffirms the festival as a space where different eras and cinematic languages coexist. Developed over the past decade with Studio Suq, the visual identity keeps cinema at its core by working on image and typography as complementary layers. For BFM44, the project draws on the graphic vitality of title sequences from de Funès’ films, transforming their colours, rhythm and lettering into a flexible system built around three variations of the BFM mark. Here, letterforms become performative elements that evoke the anticipation before a film begins, while motion, blur and dissolves recall the materiality of analogue cinema. The result is an identity that brings graphic design and cinema together in an organic way, conveying rhythm, visual memory and a subtle nostalgia for the aesthetics of the 1960s and 1970s.

Typeset: Fig Grotesk by Typeji.com
bergamofilmmeeting.it

2026

Marzia Migliora.
Sette Mostre Immaginifiche
Seven Imaginative Exhibitions

Conceived as a concept book in which the body of works is reinterpreted through seven recurring themes in Marzia Migliora’s practice, the book consists of seven exhibitions on paper, each curated by different curators who envisioned them in emblematic locations within the artist’s biography, thereby configuring a personal emotional geography that spans Italy—from her birthplace of Alessandria to the salt mines of Sicily.

The book, curated by Anna Cestelli Guidi and Matteo Lucchetti, gathers over thirty years of the artist’s production. It includes texts and exhibitions curated by: Diana Campbell, Anna Cestelli Guidi, Francesca Comisso and Nicoletta Leonardi, Maja and Reuben Fowkes, Matteo Lucchetti, Adrian Piper, and Andrea Viliani; and contributions by Eva Brioschi, Emanuele Coccia, Marzia Migliora, Elena Pugliese, Davide Quadrio, and Vandana Shiva.

Produced by: Looking Forward Art Projects
With the support of: Directorate-General for Contemporary Creativity of the Ministry of Culture as part of the Italian Council program (12th edition, 2023)
Published by: NERO Editions
Format: 24x32 Pages: 304
Printed by SIZ printing
Typeset: ABC Walter Neue, ABC Arizona Mix, ABC Diatype Mono

Available here 

Editorial design for the Bergamo Film Meeting programme, #BFM44, playing with focus and blur, where typography shifts between precision and softness through the beautifully designed Fig Grotesk by Typeji. The project explores the tension between sharpness and loss of definition, echoing the visual instability of analogue cinema: frames that come into focus, drift, and dissolve. At times the page feels crisp and controlled, at others it softens and slips, as if the image were passing through a projector, carrying traces of grain, dust and vibration. This continuous oscillation between clarity and blur becomes a way to evoke the moment just before a film begins — when the image is not yet fully formed, but already alive — turning typography itself into a cinematic experience.

Typeset: Fig Grotesk by Typeji.com
bergamofilmmeeting.it

2026

Cineforum Rivista celebrates 65 years of editorial activity with Cineframed – La mostra, a project unfolding across two chapters in different places and moments, each dedicated to the visual legacy of the Serie Collezione (1961–2020). The first chapter takes place at Roma Smistamento, from 14 November to 14 December. Conceived as a broader survey, the exhibition is structured into four thematic sections — Icons, Nani Tedeschi, Milestones 1 – Irripetibili, Milestones 2 – Big — and traces over sixty years of editorial and cinematic history through a selection of covers that reflect the evolving identity of the magazine and its dialogue with film culture. The second chapter is presented at Frab’s Magazine&More, from 6 March to 11 April, as a more focused gallery of 16 framed covers. This selection highlights some of the most iconic images from the series, emphasising the graphic evolution of the magazine — its formats, visual languages and shifting sensibilities — while inviting viewers to revisit the history of cinema through images that have become part of our collective imagination. The opening takes place on Friday 6 March at 7pm, with a talk featuring Emanuela Martini and Giulio Sangiorgio. Across both chapters, Cineframed explores the intersection between graphic design and cinema, transforming magazine covers into a visual archive shaped by memory, aesthetics and time.
Typeset: ABC Oracle 

Bergamo Film Meeting is one of the most important events in the Italian festival calendar: for 43 years in March, thousands of enthusiasts of auteur cinema come together to share a major cinematic event.
9 days of screenings, over 160 films including feature films, documentaries, and shorts. Exhibition Competition, Close Up, Europe, Now! Alice Nellis, Christian Petzold, Animation Cinema: AnReal, Cult Movie / Special events, Previews and Classics - Cult Movie, BFM Opens Bergamo Jazz, Kino Club, Retrospective: Otar Iosseliani, Tribute to Wojciech Has

Typeset: NewEdge 666 by Charlotte Rohde, Neue Haas Grotesk
bergamofilmmeeting.it

2025

MADE Film Festival is a fresh take on the world of manufacturing. It captures the nuances and complexities of the industry, showcasing the story of 'savoir faire' from big industry to small and medium-sized enterprises, factories and craft workshops.
The 2023 edition of MADE IN offered participants the opportunity to come into contact with important manufacturing realities in the Bergamo area, through the provision of materials preserved in their archives and the observation of their production chain, leading to the realisation of four original audiovisual productions capable of telling the industrial and manufacturing history of an area in a new and unprecedented way.
MADE looks at all the different stages of the manufacturing process, like how efficient it is, reducing the environmental impact, recycling and reusing resources, new ways of doing things, studying and researching, and making working conditions better for young people.

madefilmfestival.it

(made in StudioSuq)      

A light restyling for Cineforum magazine.
Typeset: Oracle + Gaisyr by @abcdinamo
Cover: David Lynch, Red Room by Jacob Boll

Available here

(made in StudioSuq)      

2016ongoing

“We have looked at residence programs from the specific point of view of (self) education and knowledge production. We started by asking ourselves and participants of the meeting if residences can be learning environments, places for collective and personal self-development that are complementary to the existing educational paths available for artists, as well as to the educational programs currently offered by museums and art institutions.” Angela Serino + FARE

Conceived and curated by: Angela Serino
In collaboration with: Marianna Maruyama 
Published by: FARE
Format: 16,5x23,5
Pages: 64

(made in StudioSuq)      

BFM 41 official image celebrates the Polish actor and director Jerzy Stuhr, protagonist of the 2023 retrospective.
The image of the BFM 41 puts cinema back in the spotlight. Not just any movies, but a film about cinema and the meaning of 'filming everything that moves'. Amator, Krzysztof Kieślowski's masterpiece starring an unsurpassed Jerzy Stuhr, is the star of the 2023 retrospective. In the film, his character experiments with everything that cinema evokes: the gesture of imitating the shot by placing his fingers in front of his eyes as a frame; the attempt to capture and control an elusive and uncontrollable world around him; deciding what to show and what not to show, what can and cannot be said, to the point of putting himself in front of the camera to reveal himself. 

The image of BFM 41 is a tribute to the (un)saving, but perhaps somewhat comforting, role that cinema plays in everyone's life. Visually, the subtitles and credits (in the style of the film Amator) underline and revive this idea of cinema as a total experience.

(made in StudioSuq)