Editorial design for the Bergamo Film Meeting programme, #BFM44, playing with focus and blur, where typography shifts between precision and softness through the beautifully designed Fig Grotesk by Typeji. The project explores the tension between sharpness and loss of definition, echoing the visual instability of analogue cinema: frames that come into focus, drift, and dissolve. At times the page feels crisp and controlled, at others it softens and slips, as if the image were passing through a projector, carrying traces of grain, dust and vibration. This continuous oscillation between clarity and blur becomes a way to evoke the moment just before a film begins — when the image is not yet fully formed, but already alive — turning typography itself into a cinematic experience.

Typeset: Fig Grotesk by Typeji.com
bergamofilmmeeting.it

2026