Marzia Migliora.
Sette Mostre Immaginifiche
Seven Imaginative Exhibitions

Conceived as a concept book in which the body of works is reinterpreted through seven recurring themes in Marzia Migliora’s practice, the book consists of seven exhibitions on paper, each curated by different curators who envisioned them in emblematic locations within the artist’s biography, thereby configuring a personal emotional geography that spans Italy—from her birthplace of Alessandria to the salt mines of Sicily.

The book, curated by Anna Cestelli Guidi and Matteo Lucchetti, gathers over thirty years of the artist’s production. It includes texts and exhibitions curated by: Diana Campbell, Anna Cestelli Guidi, Francesca Comisso and Nicoletta Leonardi, Maja and Reuben Fowkes, Matteo Lucchetti, Adrian Piper, and Andrea Viliani; and contributions by Eva Brioschi, Emanuele Coccia, Marzia Migliora, Elena Pugliese, Davide Quadrio, and Vandana Shiva.

Produced by: Looking Forward Art Projects
With the support of: Directorate-General for Contemporary Creativity of the Ministry of Culture as part of the Italian Council program (12th edition, 2023)
Published by: NERO Editions
Format: 24x32 Pages: 304
Printed by SIZ printing
Typeset: ABC Walter Neue, ABC Arizona Mix, ABC Diatype Mono

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Bergamo Film Meeting is one of the most important events in the Italian festival calendar: for 43 years in March, thousands of enthusiasts of auteur cinema come together to share a major cinematic event.
9 days of screenings, over 160 films including feature films, documentaries, and shorts. Exhibition Competition, Close Up, Europe, Now! Alice Nellis, Christian Petzold, Animation Cinema: AnReal, Cult Movie / Special events, Previews and Classics - Cult Movie, BFM Opens Bergamo Jazz, Kino Club, Retrospective: Otar Iosseliani, Tribute to Wojciech Has

Typeset: NewEdge 666 by Charlotte Rohde, Neue Haas Grotesk
bergamofilmmeeting.it

2025

MADE Film Festival is a fresh take on the world of manufacturing. It captures the nuances and complexities of the industry, showcasing the story of 'savoir faire' from big industry to small and medium-sized enterprises, factories and craft workshops.
The 2023 edition of MADE IN offered participants the opportunity to come into contact with important manufacturing realities in the Bergamo area, through the provision of materials preserved in their archives and the observation of their production chain, leading to the realisation of four original audiovisual productions capable of telling the industrial and manufacturing history of an area in a new and unprecedented way.
MADE looks at all the different stages of the manufacturing process, like how efficient it is, reducing the environmental impact, recycling and reusing resources, new ways of doing things, studying and researching, and making working conditions better for young people.

madefilmfestival.it

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A light restyling for Cineforum magazine.
Typeset: Oracle + Gaisyr by @abcdinamo
Cover: David Lynch, Red Room by Jacob Boll

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2016ongoing

“We have looked at residence programs from the specific point of view of (self) education and knowledge production. We started by asking ourselves and participants of the meeting if residences can be learning environments, places for collective and personal self-development that are complementary to the existing educational paths available for artists, as well as to the educational programs currently offered by museums and art institutions.” Angela Serino + FARE

Conceived and curated by: Angela Serino
In collaboration with: Marianna Maruyama 
Published by: FARE
Format: 16,5x23,5
Pages: 64

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BFM 41 official image celebrates the Polish actor and director Jerzy Stuhr, protagonist of the 2023 retrospective.
The image of the BFM 41 puts cinema back in the spotlight. Not just any movies, but a film about cinema and the meaning of 'filming everything that moves'. Amator, Krzysztof Kieślowski's masterpiece starring an unsurpassed Jerzy Stuhr, is the star of the 2023 retrospective. In the film, his character experiments with everything that cinema evokes: the gesture of imitating the shot by placing his fingers in front of his eyes as a frame; the attempt to capture and control an elusive and uncontrollable world around him; deciding what to show and what not to show, what can and cannot be said, to the point of putting himself in front of the camera to reveal himself. 

The image of BFM 41 is a tribute to the (un)saving, but perhaps somewhat comforting, role that cinema plays in everyone's life. Visually, the subtitles and credits (in the style of the film Amator) underline and revive this idea of cinema as a total experience.

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The special monographic volume was designed two years ago as part of the "Cinema at the heart. Past and present of two cities in cinema" project. For the BGBS2023 edition, we examined directors, actors, films, locations, and independent productions to discover the region's rich cinematic and historical heritage.
The cover features the arches of the Palazzo della Ragione in Bergamo and the dome of the Palazzo della Loggia in Brescia, two architectural icons of the Italian Capital of Culture 2023 cities. These elements are highlighted on the cover of the special issue, which has an enamel silkscreen visual identity. The issue is 144 pages and includes black and white print, Pantone, and colour for six sections on directors, actors, films, locations, and independent productions.

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GAP - Global Art Programme, Waiting for Expo 2015 is an international programme of cultural exchange between Italy and other countries participating in the Expo Milano 2015 - Feeding the Planet, Energy for Life. Started in 2010, the programme offered to Italian and foreign artists the opportunity to live a residence period of two months in a host country in order to create a work on issues related to the Expo (health and proper nutrition, environment and sustainable energy, geo-architecture).

Every year foreign artists were selected to stay in Milan at the residence Open Care, managed by FARE, while the Italians spent their period of residence in foreign countries identified from time to time as annual partners of the programme. Every single residence ended with an exhibition presenting the work of the selected artist and the publication of a book collecting impressions and experiences.

The programme ended with an exhibition of all the works produced by participants in the cultural program of Expo Milano 2015.

Exhibited artists: Asim Waqif, Alessandro Piangiamore, Egemen Demirci, Gabriele Garavaglia, Richard Cramp, Luca De Leva, Pep Vidal, Cleo Fariselli, Julie Vacher, Emanuela Ascari, Alaa Abu Asad, Ramal Kazim, Paola Anziché, Beatrice Catanzaro
Conceived and developed by: FARE
Exhibition promoted by: Artegiovane
Format: 29,7x42
Pages: 36

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Based on the film Le Roman d’un tricheur (1936) by Sacha Guitry, the image of BFM42 gives back the colours, fade transitions and atmosphere of early 20th century cinema.The introduction of sound in cinema took place between the 1920s and 1930s. Guitry’s film is an experiment that in some ways can be comparse to silent cinema: a story and narration developed in the first person with continuous commentary and the near absence of dialogue.In the 1910s, Autochrome offered a wide range of expressive possibilities to the world of photography, art and fashion. The commercialisation of the first colour films took place in 1936, the year of the release of Guitry’s film.

Font by: 205tf, Garaje by Thomas Huot Marchand

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Sentieri Selvaggi was founded in 1997 by Carlo Boccadoro, Filippo Del Corno and Angelo Miotto with the aim of bringing contemporary music closer to the public.

In seven concerts, between March and June 2020, Sentieri Selvaggi's season, Elettricità (Electricity), has gathered the electric energy that runs through the music of the main composers of Minimalism - Terry Riley, Philip Glass and Steve Reich - and of the authors protagonists of the monographic appointments - Matteo D'Amico, Oliver Knussen and David T. Little -, concluding with a "Giro d'Italia", a concert that brings together pieces by some of the ensemble's most beloved Italian composers.

Mappe Sonore, Sentieri Selvaggi's Festival 2022, traces geographical and musical routes, in 15 stages, between Milan and Lombardy, to be followed with an open mind and burning curiosity. The visual is a small cabinet of curiosities dedicated to nature, diversity and wealth, supported by the beautiful images of the Biodiversity Library.   

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2018 2022